“If you go to an auction, out comes the Picasso—dead silence. Once the hammer comes down on the price—applause. We live in a world where they applaud the price but not the Picasso”.
When browsing the shelves of a bookshop, what I am most drawn to is art. I hunt for the brightest colour, the most striking typography, a good-looking image with which to decorate my bedside table. Book covers can use their beauty to their advantage, or even as a form of rebellion.
But the deserted building in Chaoyang was no criminal lair—it was an art studio. And the man arrested at the airport, far from being a hardened felon, was Ai Weiwei: filmmaker, visual artist, and one of the most outspoken political dissidents in China.
"As an emotional writer of poetry, I’ll only ever put pen to paper in fits of extreme feeling, using it as an outlet when I feel that I cannot turn to anyone. It seems to be the closest I’ll get to the divine inspiration, with the Muse replaced by anger or loneliness." Maebh Howell takes us on an artistic Odyssey around the pressures of constant creativity.
"Even if there were a sense of restriction, it would feel a little tone-deaf to mourn the old, ‘normal’ gallery visit." Josie Moir ponders our experience of galleries and museums in a COVID-19 Age