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UrbanObserver
Saturday, April 5, 2025
Oxford's oldest independent student newspaper, est. 1920
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Basquiat brought to life at the Barbican
Excessive detail hinders an energetic and ground-breaking Basquiat exhibition, writes Eleanor Birdsall-Smith
The queen of artistic appropriation is crowned at the Tate Modern
Nicola Dwornik reviews a long overdue exhibition of Fahrelnissa Zeid's life and work
My naked truth
Jess Brown contemplates the merits and shortcomings of life drawing
Grayson Perry’s Polymorphous Popularity
Georgiana Wilson explores Grayson Perry's image, identity, and popularity after seeing his latest exhibition
The everyday art of living
Ramani Chandramohan is enthralled by the creativity behind Japan’s cities and homes, explored in the BBC documentary, The Art of Japanese Life
Coming full circle: The importance of Queer British Art for young people
Billie Esplen considers the relevance of Tate Britain's Queer Britain exhibition
Houghton Festival 2017 Review
The brand new Houghton Festival impresses, delights and transcends the music it focuses on all together.
The Death and Rebirth of MS Paint
Chloe Dootson-Graube investigates the artistic importance of Microsoft Paint
Grief pushes music to its conceptual limits
Mount Eerie's 'A Crow Looked at Me' may seem like an abstract experiment, but with its personal context it is deeply affecting
At the Royal Academy: Matisse in the Studio
Altair Brandon-Salmon explores the Royal Academy's latest exhibition, Matisse in the Studio
“Don’t paint me like one of your French Girls, I’ll damn well paint myself”
Priya Khaira-Hanks is blown away by pretty pornography at Dreamers Awake, and explains how naked women can still be powerful
At the Royal Academy Summer Exhibition
Altair Brandon-Salmon ponders the significance of the Royal Academy's annual Summer Exhibition
Hokusai: Beyond The Great Wave – a man possessed by the Japanese landscape
Becky Cook is awestruck by Hokusai’s ‘The Great Wave’ but says the artist fails to discover anything beyond the masterpiece at the British Museum’s current exhibition
Pastel pink speculums, embroidered condoms, and art for reproductive freedom
Anoushka Kavanagh explains why protest art is now more important than ever
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