Tag: cinema

Which film best represents your Oxford college?

Oxford colleges are known for their quirks, and inspired by these traits, here’s part two of the Cherwell guide to movies that reflect our...

Review: ‘A Monster Calls’

Jonnie Barrow is impressed by Bayona’s adaptation of an underrated children’s novel

Review: Silence

Surya Bowyer is impressed by Scorsese's latest cinematic venture, a long and taxing, yet beautifully moving work

How to pass collections via the medium of film

Whether you study English or Engineering, Tesni Jones suggests a film for you to combine revising with relaxing

Westgate Oxford confirms five rooftop garden restaurants

The new rooftop garden will include international restaurants, bars, and cafes

Hollywood: Beyond the Pale?

David Lawton feels it’s time to reject Hollywood’s regime of systematic oppression once and for all

Cinema’s Resurrection?

Ellie Siora on how innovative screenings must challenge ‘passive’ binge-watch culture, after attending an all-night Wes Anderson marathon

Review: Mustang – confronts the sexualisation of innocence

Alice Townson finds Mustang daringly political and playfully provocative

Review: Love and Friendship – both modernised and faithful

Stillman’s adaptation successfully captures Austin and puts others to shame, writes Zach Leather

I, Daniel Blake: a working class triumph

Jem Bartholomew hopes Ken Loach’s Palme d’Or win can revolutionise our national welfare debate

Review: Everybody Wants Some!! – antiquated male stereotypes

Zach Leather considers Linklater’s latest nostalgia-soaked '80s escapade, finding it dominated by one-dimensional men in fear of emasculations

Review: OBA Film Festival showcase

James Riding casts an eye over the most ambitious films in Oxford student filmmaking at the OBA’s annual screening

The Age of Photoshop?

Daniel Curtis laments the decline of the quality film poster, but sees many reasons to be optimistic for the future

Linking Linklater’s Latest

Jake Kennedy identifies time as the common thread in Richard Linklater’s work

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Review: Endgame – ‘Nothing is funnier than unhappiness’

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