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UrbanObserver
Thursday, March 20, 2025
Oxford's oldest independent student newspaper, est. 1920
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culture
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stage
“Precisely the kind of theatre I would like to see more of in Oxford”
Charles Britton is besotted with the potheads in 'Garden'
The extraordinary life and lenses of Robert Capa
Katherine Wood discusses the twentieth century’s greatest war photographer
The human desire for an easy explanation
Joseph Botman makes a case for the irrelevance of individuals in history
“It kept me hooked right until the final denouement”
Harry Hatwell applauds Playlliol's rendition of 'A View from the Bridge'
Dispatches: Gentrified graffiti on the streets of Stokes Croft
Altair Brandon-Salmon explores differing responses to Banksy as a graffiti artist
A day in the life of… a stage manager
Lucy Coupe gives her perspective on why stage managing is the perfect extra-curricular activity
“A marathon-style theatrical whirlwind”
Harry Hatwell is blown away by 'Angels in America' at the West End
“A fierce accomplishment”
Will Austin is absorbed in 'Reigen', a revival of Arthur Schnitzler’s controversial sexual drama
“Emotive, vibrant, and politically charged”: Hamilton
Izzy Smith praises Lin-Manuel Miranda’s powerful soundtrack
A day in the life of… A script writer
Stage editor Katie Sayer considers the Oxford drama scene from the perspective of a budding playwright
A voice for the evidence of the refugee crisis
Mia Neafcy and Sai Parepalli explore the links between art and awareness
A rhetorical revolution on Trump?
Ethan Croft explores the academic discussion of Donald Trump's election and administration
A mixture of styles in the Latvian capital
Katherine Wood discusses the intersections in Riga’s architectual trends
“A piece of theatre that feels incredibly close and genuine”
Nina Crisp finds much to praise in 'I Know You', Sam Moore's postmodernist piece of new writing
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