“An aspirational first performance”
Jacob Greenhouse is impressed by 'Blatavsky's Tower', the first production from newly founded company
“A little-known gem”
Thomas Player gives four stars to 'Dear Brutus', an underrated classic
Dispatches: faces and encounters in a letter from New York
Altair Brandon-Salmon reflects on finding the familiar and unexpected in a new city
Irresponsible escapists and the architecture of power
Thomas Thorne considers how escapism may be a powerful force for transgression
Tate Britain celebrates the playfulness and dynamism of David Hockney
Sabrina Ruia is captivated by a retrospective look at the artist's life
The guilt of gaming at Oxford
Charles Britton finds that university life has taken its toll on an all-consuming hobby
Review: ‘Free Fire’
Nancy Epton finds Ben Wheatley's latest picture unashamedly violent and highly quotable, yet ultimately shallow
Review: ‘T2 Trainspotting’
Louise Howland finds an addictive energy in sequel to cult classic Trainspotting
Spotlight: DFO
Will Cowie on those three magic letters
“Love and humanity scattered amid the horror”
Emily Lawford enjoys a genuinely frightening production of Macbeth
Spotlight: Emily the Snake
Emily the Snake are a funky outfit full of potential, says Will Cowie
A disturbing worldview undercut by patchy acting
Olivia Cormack finds that it's not just the costumes in Contractions that need ironing out
A night for dancing and jumping
Daniel Curtis is left reeling from White Lies’ unpolished yet momentous performance at Oxford’s O2 Academy
Zoom In: How to steal our jobs as Film and TV editors
Shivani Ananth and Katie Sayer tell you how to take over their legacy
