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UrbanObserver
Sunday, February 23, 2025
Oxford's oldest independent student newspaper, est. 1920
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Rebellion and Art
Picture a circle of people holding hands, dancing around. Nothing particularly remarkable about that, right? Now imagine half of them as skeletons.
Preview: You Are Frogs – ‘toes the line between playfulness and danger’
Practically Peter's production will be at the BT Studio until Saturday.
First Auditions: Getting Involved in Performing Arts at Oxford
What to expect during your first foray into Oxford drama
The Great Wave Review – ‘a complete clash of cultures, identities, and outlooks’
Indhu Rubasingham's revealing production about a dark part of Japanese cultural history is relevant and immensely human
The Flick preview – ‘there’s even going to be popcorn’
Bertie Harrison-Broninski is impressed by this witty and elegiac homage to the silver screen
Protest as performance – Suffragettes take the limelight
Breaking the Fifth Wall festival kickstarts with an illuminating talk
Girls and Boys review – ‘a drama that not only strikes, but leaves us sizzling’
Tony Wilkes is wowed by an unexpected trip to see the Royal Court's latest show starring Carey Mulligan
The Twilight Zone – ‘dizzyingly strange’
The Almeida’s adaptation of the hit TV show is baffling and brilliant in equal measure, writes John Livesey
A day in the life: thesp
'Jesus Christ, we need to sell more tickets': Callum Coghlan recalls a day in the life of a thesp
Review: The Optimists
Suzy Cripps’ The Optimists, a tightly-paced romp of hypocrisy, coincidence and curtains, is a solid comedy of errors in the best of British tradition. Involving...
One man in his time plays many parts
Susannah Goldsbrough looks back over the career of Ian McKellen, one of the greatest Shakespearean actors of our time
Preview: A Clockwork Orange
Olivia Cormack is delightfully disturbed by a preview that leaves her wanting more
A fresher’s guide to Oxford Drama
Matt Roberts demystifies the daunting prospect that is the uni theatre scene
Review: Foxtrot at the Edinburgh Fringe
Peter Thickett is drawn into a complex reflection on the dehumanisation of missing women at the Fringe
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