When I returned to Oxford this term, just as England teased us with the sixth heat-wave of the year, I found myself at a loose end. With the deadline for two vacation essays still far in the distance, the sun lit up the sign for Soma Surovi Jannat’s Ashmolean Now exhibition, Climate Culture Care.
It is the examination of archaic methods and attitudes surrounding women’s bodies, and the idea of the ‘nagging’ woman, which runs through Olivia Plender’s exhibition.
“Florals? For spring? Groundbreaking.” So speaks the withering sarcasm of Miranda Priestly in The Devil Wears Prada, condemning all flowery fabrics to uncoolness even...
Tate Modern's "Leigh Bowery!" refuses easy categorisation—much like its subject
A fashion student from Sunshine, Melbourne, rocks up to London in 1980, writes 'wear makeup...
An exhibition displaying four sculptures by Zimbabwean artists which aims to “contextualise” the legacy of Cecil Rhodes will open at Oriel College later this...
"It was a pleasure to return to Oxford during the vacation to visit the Ashmolean’s new exhibition, which showcases some of the best drawings of the great Flemish artists of the 16th and 17th centuries."