Friday 15th May 2026

Tag: film

The Devil is Sponsored by Dior: ‘The Devil Wears Prada 2’ in review

In the world of The Devil Wears Prada 2, there is one thing that could have never existed: The Devil Wears Prada.

Toni Servillo shines in thoughtful assisted dying drama: ‘La Grazia’ in review

Does Big Tobacco sponsor Paolo Sorrentino’s films? Almost certainly not, but their money would be worse spent elsewhere.

In sickness, health, and wrongdoing: ‘The Drama’ in review

CW: Gun violence. “What’s the worst thing you’ve ever done?” is the driving question of Kristoffer Borgli’s The Drama. The film centres around a couple...

How 2025’s biggest films made their mark through music

The recent Oscar nominations have allowed us to reflect on how fundamental musical scores are to film, and the highlights of last year’s film soundtracks.

Questioning the nation’s obsession with ‘Love Island’

Love Island’s formulations have begun to seem increasingly sinister. Last summer’s season (series twelve) saw a particularly high number of complaints.

The Hollywood blockbuster and what it says about us

Why do ‘dad films’, once popular and even good, not seem to have the relevance they used to?

The Voice of Hind Rajab (2025), reviewed

Many of us have already heard the voice of Hind Rajab. On 26th January 2024, the Palestine Red Crescent Society received a call about a six-year-old girl in need of aid.

The ‘Silent’ Film

Not speaking does not necessarily mean having nothing to say. As much can be said with an image, movement, or glance as with a word.

‘Cathy naur’: Emerald Fennell’s ‘Wuthering Heights’ in review

Although my Yorkshire identity and love of 19th-century novels make me inclined to defend Emily Brontë with all my might, I really did give this film a chance.

A twisted tour-de-force: ‘Bugonia’ in review

Bugonia is a triumph for director Yorgos Lanthimos and his collaborators. He has produced a cynical but rewarding reflection on the human condition.

In defence of the live-action remake

Live-action remakes, when viewed with an open mind, can be seen as cultural negotiations, as attempts to revitalise and pass down old stories to new eyes and ears.

In defence of the theatrical release

If film, like all art, nourishes itself on its own œuvre, I don’t think we can afford to sever the association between the cinema and the film.

Looking back to look forward: The films of 1976

The history of film is a cumulative record of what people have wanted to say, show, and create, not only for a contemporary audience, but for the future.

2025 releases you may not have seen (but definitely should)

It’s that time of year again: the season in which we are inundated with a never-ending stream of lists ranking 2025’s top releases. Cherwell,...

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