OxView: Top Ensemble Cast Films
Calum Bradshaw lists his top ensemble films
Asian actors are invisible in Hollywood
Vivien Zhu argues that change from studios and in racial attitudes is necessary to make progress on the under representation of Asian actors
In the age of franchises, are originals dead?
Calum Bradshaw questions the decline of film innovation in recent years
Ageing under the spotlight
Sophie Burdge condemns ageism in pop culture and our generation's obsession with beauty
Review: ‘Free Fire’
Nancy Epton finds Ben Wheatley's latest picture unashamedly violent and highly quotable, yet ultimately shallow
Marvel’s Netflix universe is going badly wrong, and it’s the writing that’s to blame
Christopher Goring takes a look at Netflix’s increasingly troubled corner of the Marvel Cinematic Universe in a spoiler-filled examination of how everything went off the rails
Review: ‘T2 Trainspotting’
Louise Howland finds an addictive energy in sequel to cult classic Trainspotting
Zoom In: How to steal our jobs as Film and TV editors
Shivani Ananth and Katie Sayer tell you how to take over their legacy
Moonlight: a transcendent spectacle
Jonnie Barrow delights in Barry Jenkins' mesmeric exploration of identity
The Coen brothers: a dynamic directing duo
Jack Allsopp argues that we should stop thinking of the director solely in the singular
‘Jackie’: simply a mishandled film
Surya Bowyer is unstirred by Natalie Portman’s performance as America’s sweetheart
Exhausted tropes and the odd jump scare: ‘Split’ review
Louise Howland is unimpressed by 'Split', Shyamalan’s attempt at psychological horror
Films to cure fifth week and Valentine’s blues
Katie Sayer and Tesni Jones offer some topical film suggestions to quell your Fifth Week and Valentine’s Day sorrows
Girl meets girl: re-writing cultural scripts
Priya Khaira-Hanks advocates forming your own unique queer identity outside of the boundaries of heteronormative culture
