Monday 13th October 2025

Tag: film

Sci-fi review: Arrival

Jonnie Barrow finds Villeneuve’s latest release a true masterpiece in both performances and intellectual power

Rewind: Disney’s Fantasia

Bessie Yuill reminds us of the fantastical history of Fantasia

Cherwell Film School: Telling a story

Stories are the referential point of film, a good story says something in a coherent and human way in order to relate to real experiences

Troublingly telegenic: Oxford in film

Priya Khaira-Hanks takes issue with the extent of Oxford’s fictional presence.

Hollywood: Beyond the Pale?

David Lawton feels it’s time to reject Hollywood’s regime of systematic oppression once and for all

Cinema’s Resurrection?

Ellie Siora on how innovative screenings must challenge ‘passive’ binge-watch culture, after attending an all-night Wes Anderson marathon

Review: Love and Friendship – both modernised and faithful

Stillman’s adaptation successfully captures Austin and puts others to shame, writes Zach Leather

I, Daniel Blake: a working class triumph

Jem Bartholomew hopes Ken Loach’s Palme d’Or win can revolutionise our national welfare debate

Review: OBA Film Festival showcase

James Riding casts an eye over the most ambitious films in Oxford student filmmaking at the OBA’s annual screening

Web Series World – The Lizzie Bennet Diaries

Let's start at the very beginning...

The Age of Photoshop?

Daniel Curtis laments the decline of the quality film poster, but sees many reasons to be optimistic for the future

Linking Linklater’s Latest

Jake Kennedy identifies time as the common thread in Richard Linklater’s work

Representing The Impossible

Cinema will never be able to represent the horrors of the Holocaust, but Son of Saul offers a sensitive try, writes Jem Bartholomew

Review: the OBA Easter Projects

Louise Howland dissects Sunday’s OBA student film screening, praising their indie feminist zeal

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