Oxford’s student filmmakers give their takes on writing workshops, directorial debuts, and getting inside one of the arts’ most difficult industries.
Beautiful Boy is unlikely to have an unintentional glamorising effect. We witness the oblivion of being high before the inevitable crash down to a deeper and darker place.
The French-German film Frantz, however, has gone unnoticed by many English-speaking viewers, despite being one of the most powerful films released to explore the after-effects of World War I.