Marvel’s Eternals, the 26th film in the Marvel Cinematic Universe, was released to somewhat middling critical reception, despite largely positive audience scores. I think it’s a brilliant film, despite the considerable body of opinion that stands in vehement disagreement.
Don’t worry, this isn’t one of those articles about how superhero blockbusters are awful compared to classic movies. No, I’m here to explore the weird commonality between Ingmar Bergman’s The Magic Flute and modern blockbusters. Linking these different approaches to film will be a strange journey, but at its end lies an intriguing idea: that reality and fiction may be one and the same.
Last summer a friend recommended I watch Shaun of The Dead. The idea of walking around London now, surrounded by potentially asymptomatic people, does...
"Director James Gunn has crafted one of the funniest and most genuinely moving Marvel films I can remember."
Calum Bradshaw has his doubts hushed by Guardians of the Galaxy Vol.2
"4 May 2012 was a day that changed the landscape of cinema. Joss Whedon’s 'Avengers Assemble,' the climax of the first phase of the Marvel Cinematic Universe, was an epoch-making, trend-setting, earth-shattering event, the apotheosis of Marvel’s shared universe project."
Christopher Goring examines Marvel's winning formula