"Surrounded by the pressure to be beautiful, to craft a beautiful life, and to appreciate beauty, is it any wonder that Kathy goes a bit crazy? She Felt Fear is a portrait of hysteria in the twenty-first century."
"It’s the sort of production that would make even the most timid want to get involved in Oxford drama – and that’s in earnest."
Hari Bravery reviews the Trinity Players' recent production of Oscar Wilde's classic farce, 'The Importance of Being Earnest.'
"Like the portrait tapping into the existence of its sitter in the original Wilde story, so is this year’s Dorian sucked into his online ego."
Eleanor Zhang discusses the virtual production of Oscar Wilde’s enduring story of vanity, desire and self-deception.
"Salome’s kiss is undoubtedly an extreme example, a sensual climax of an obscene kind, but musically important nonetheless, and a moment that illuminates its preceding pages of music."
“Audiences deserted his lectures, Harvard students mocked his outfits, and his failures left him drunk and dejected."
Reviewing Michele Mendelssohn's 'Making Oscar Wilde'.
With a terrific cast, a splendid setting, and a deft handling of the script, Magdalen Players' take on A Woman of No Importance proves to be a fourth week delight