Oxford's oldest student newspaper

Independent since 1920

Tag: Pilch

‘ASMR Eat Your Heart Out!’: A Review of The Metamorphosis

The Metamorphosis was, understandably, intense, and weird – in a good way. Blessed with excellent performances, and clever use of technology, the play captured all the absurdity of Kafka.

“Bugs Are Cool”: Interview with the Cast and Crew of The Metamorphosis

"Gregor Samsa is a travelling salesman in the cloth trade who has been worked to the bone and suffers under the pressure of his family, who rely on him financially. At the beginning of the play, he wakes up to discover that he has transformed into a repulsive and unhuman creature."

“A successful exploration of the play’s tension and comedy”: A review of Macbeth.

Andrew Raynes’ production of Macbeth is a successful exploration of the play’s tension and comedy, and the cast and crew should be congratulated on bringing that out. The production succeeds in creating the world of Macbeth, and is blessed with some very talented actors which help bring it to life.

Interview: ‘Macbeth’ at the Pilch, an ensemble of tragedies

"Shakespeare gives us so much space to sort of deal with psychological problems, which aren't always necessarily textual, but really come through in rehearsals and give the performance a higher level of connection with the audience."

Review: Present Laughter

Present Laughter, a 1942 play by Noël Coward, recounts the days leading up to the departure of Gary Essendine, an actor, for his tour in Africa....

Review: American Buffalo

Frazer Martin reviews 'American Buffalo' at the Pilch.

Review: The Crucible

Francesca German feels the power of Arthur Miller's classic 'The Crucible' at the Pilch.

Review: Things I Know to be True

This powerful family drama packs an punch at the Pilch.

Review: Crave

GOYA's Crave stays true to the chaotic and disturbing nature of Kane's work.

How To Make Friends and then Kill Them Preview – ‘promises to be entertaining and unsettling’

A preview of Coningsby Productions' play at the Pilch this week.

‘Brink’ Preview – ‘an exploration into public vs. private spaces’

Alastair Curtis' new play explores how individuals forge connections with others in our modern, digitalised world

Drunk Enough to Say I Love You? Review – ‘genre-crossing and well-executed’

Katie Knight is impressed by Klaxon Productions' production which incorporates new forms of media.

Top Girls Review – ‘uncomfortably straddles the experimental and the domestic’

"Adam Radford-Diaper’s adaptation is slick and well-acted, often wonderfully absurd and funny, but ultimately leaves me feeling slightly cold."

Drunk Enough to Say I Love You? Preview: ‘The political becomes personal’

Cesca Echlin previews Caryl Churchill's 2006 play, which she finds entices the human out of the political

- A word from our sponsors -

spot_img

Follow us

HomeTagsPilch