"Can we ever justify ticket prices of more than £200 given the theatrical experience involved – or are we just making theatre expensive and inaccessible?"
The thing about self-consciously revolutionary art, however, is that it rarely has a particularly long shelf-life. Perhaps this remains most obvious in pieces that are pragmatically revolutionary; demonstration posters, graffiti, propaganda. Things like Guerrilla Girls and posters of Johnson and Trump’s lovechild are destined – designed, even – to become quickly dated.
