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UrbanObserver
Tuesday, March 18, 2025
Oxford's oldest independent student newspaper, est. 1920
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Review: Albert Herring
Bessie Yuill is dazzled by this quintessential Britten in St Peter's chapel
Richard Burton’s well trodden boards
In the latest installment of Through the Looking Glass, Daniel Curtis investigates the past of the Burton Taylor Studio
Review: It Felt Empty
Amaris Proctor is impressed by this immersive and thought-provoking explanation of the human effects of sex trafficking—a four star production
Preview: It Felt Empty
Miriam Nemmaoui looks forward to a hard-hitting and sensitive production
Preview: Frankenstein
Nina Sandelson comments on this week's bold reimagining of the classic Gothic horror at the O'Reilly
Review: The Nether
Nina Crisp is sucked into virtual reality by a magnificent production at the Playhouse
Backstage with Sharon Yip
Sapphire Shoferpoor and Sharon Yip talk clubs, directors, and getting creative on a budget
Review: The Skriker
Matt Roberts is seriously creeped out by this baby stealing, terror inducing Pilch show
Drugs, Childbirth, and Sandwiches: Trojan Women Review
Olivia Cormack enjoys an enthralling production of a darkly comic play about women after war
Review: A Woman Killed with Kindness
Priya Khaira-Hanks is impressed by emotionally nuanced performances which compensate for the lack of sub-plot
Review: Guys and Dolls
Katie Sayer is blown away by Guys and Dolls at the O'Reilly
Backstage with Claudia Graham
Sapphire Shoferpoor talks to Claudia Graham about production, funding, and reining in directors
Backstage dialogue with Sarah Wright
Sapphire Shoferpoor talks directing, writing, and time management with third year linguist Sarah Wright
Preview: A Clockwork Orange
Olivia Cormack is delightfully disturbed by a preview that leaves her wanting more
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