"I think to write a play you’ve got to be constantly re-inspired. It requires so many exchanges between characters and demands inhabiting so many different psyches."
'The most thrilling moment so far was singing the opening ballad as a whole cast with the band for the first time. I’d never felt such a mix of excitement and nerves and awe all at once.'
In the maelstrom of reinterpretations of misunderstood Homeric women and Greek tragedy revivals, the show’s lyrics stand out for consistently centring the core themes and questions asked by the ancient texts themselves.
2nd May 1997 manages to use a pivotal moment in political history to explore three very different relationships and the difficulties they face. It is performed with grace and humour, using the political events as a mirror that reflects the difficulties of each pair’s situation.
I wrote Quartet over a year and a half ago in early 2020, sitting down for an hour every morning to chip away at it as my way of getting through a term in lockdown. Having handed over my script to the trusted hands of Alex Foster (director) and our stunning actors, I was itching to find out how Quartet has developed.
As a show with only two characters, the use of four actors in this production was truly innovative. It was able to showcase their talent in the best possible way, highlighting the actors’ strengths while elevating the characters to a level above how they have been traditionally interpreted on stage.
It is a poignant exploration of how couples in failing marriages perpetually struggle to see eye to eye and are so often operating, portrayed quite literally here, on differing temporal planes.
Working with other people on Spoon River is definitely a welcome distraction from the monotony of being stuck in lockdown at home. It is truly inspiring to get to witness so many creatives coming together for this production.