Review: What Comes After – ‘one of the most effortlessly flowing performances’
Wonderful set design, music, and performance make for a beautiful new song cycle by Máth Roberts
Review: Pirandello’s Henry IV – ‘earnest production let down by a dull script’
A Tom Stoppard translation of an Italian play is convincing and confusing in equal measure
Review: How to Make Friends and then Kill Them – ‘brilliantly toes the line between laughing and crying’
Coningsby Productions' three-woman production impresses with its relentless movement and convincing performances
Review: House of Improv presents: I’m an Improviser Get Me Out of Here! – ‘relentlessly silly’
House of Improv presents an improvised hour of moon shoes, jacuzzis, and reckless fun
An Unexpected Visitor Review – ‘performed in a unique space but falls short’
The setting of Mercury Theatre Productions' newly written play is impressive but the writing requires reworking.
OCTOPUS – Review
Is OCTOPUS, like the Sex Pistols are now, “just” uncontroversial protest? Or does it strike deeper than that?
Ishtar preview -‘Nothing if not entrancing’
An excellently engaging gloss of an intriguing archaic myth
Crocodile preview – ‘This is going to be properly funny’
Nitrous Cow look set to provide a rip-roaring comedy follow-up to their sold out debut 'Lovesong' last term
Revolt. She Said. Revolt Again. preview – ‘bracingly honest’
Adam Radford gets a privileged glance at this incendiary piece of feminist theatre
“More gentle slap than sucker punch”
Katheryn Thompson finds Made in Dagenham lacking in political grit
In conversation with the creators of ‘STOP’
Suzy Cripps talks mental illness and magic with the writers of a new musical
Brutalist Russia and Bowie: Marlowe’s Edward II reimagined
Alex Barasch talks to the cast and crew of this radical new take on Marlowe’s masterpiece
Review: The Pillowman
ATG's production is a triumphant display of dark humour and raw emotion - not for the faint-hearted
Review: Much Ado About Nothing
Nina Crisp is enamoured by this sellout adaptation of Shakespeare's classic comedy at the Pilch