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Tag: theatre

“Sorrow and birthday cake” – Review: Mojo

"Emotions collide and coalesce to heart-stopping effect, reflecting the disturbing inevitability of the chaos caused when drugs and fear mingle."

A green scream machine at Queen’s – Review: Little Shop of Horrors

Queen’s College needed a sassy, singing carnivorous plant. In drag.

“Hide the babies” – Review: Girls and Dolls

There’s been a recent uptick in global awareness of the history of Northern Ireland. We can trace it back, roughly, to 2018. That’s when Lisa McGee’s hit TV series Derry Girls, which chronicles the tribulations of growing up in Derry during the Troubles, arrived on screens worldwide; and just like that, Northern Ireland became the object of cultural fascination.

“Strikingly modern” – Review: Twelfth Night at Waterperry Gardens

May McEvoy reviews Somerville College Drama Society and Sunday Productions' Twelfth Night.

“Outside, in drag, covered in glitter”: Little Shop of Horrors comes to Oxford

Everybody better beware: Little Shop of Horrors has arrived in Oxford.  The wacky musical tells the story of a meek florist, Seymour Krelborn, who finds...

“Student drama done right” – Review: Much Ado About Nothing

"The production harnesses its idyllic, summery setting to explore the [...] ideals of love and courtship in a world dominated by gendered notions of how honour is achieved, and the use of deception as a means to an end."

Girls and Dolls: In conversation with A² Productions

"The popularity of Derry Girls [demonstrates] that shows like this, with a good balance of witty humour and colourful characters, family dynamics and psychological insights, are the perfect blend to watch."

‘Beckett on speed’: In conversation with Nocturne Productions

"[...] they descend into paranoia, and carnage unfolds in a network of marvellously-layered backstabbing."

Upcoming cultural events in Oxford

Season Two of Bridgerton has given me a newfound desire to grab life by the mallet, so this term I have decided to sign up for Croquet Cuppers.

Review: Intimacies, after Vallotton

"Against the backdrop of Majek’s enigmatic blue-toned figures, Spencer, with the help of a multi-roling, all-Black voice cast playing a broad spectrum of characters, reveals tantalising glimpses of these figures’ lives."

Bringing Oxford theatre to London via a garden shed: an interview with the cast and crew of Casterbridge

"It’s a bit of a mad play, and a lot of quite mad things happen, because that’s what happens when you translate Victorian characters into the modern era."

In conversation with the Oxford Opera Society

"Those who aren’t so familiar with the plots of the major operas, or who wish to immerse themselves in the romance, revenge and occasional comedy so characteristic of the genre, needn’t worry that Opera Scenes isn’t staging a full production."

Oscar Wilde, the 70s, and psychiatrists: The Importance of Being Nihilists

"It digs into some of the most important things we have to face in our lives. Sexuality, family, the education system, the way we judge others and ourselves."

New writing in Oxford: An interview with Shaw Worth and Kirsty Miles

"I think to write a play you’ve got to be constantly re-inspired. It requires so many exchanges between characters and demands inhabiting so many different psyches."

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