"The intense and nuanced performances, the queasy mix of fear and fury palpable with a small glimmer of hope, made Oxford’s Orestes a very capturing play."
Marietta Kosma reviews The Oxford Greek Play's production of Euripides' tragedy "Orestes".
"Why stage Romeo and Juliet a year into a global pandemic? Godwin’s primary response to the pandemic appears to be the focus on touch in the production: it reminds us of the power of human contact, and the depth of feeling that can only be experienced in person."
Katie Kirkpatrick reviews the new National Theatre production of Shakespeare's classic tragedy, Romeo and Juliet.
Translating and adapting two Greek plays and then squeezing them into one production was an ambitious undertaking, but Shadows of Troy has pulled it off.
The...