Readers’ Photo Competition: deadline approaching!
Final call! Send your best portrait shots to [email protected] by Wed 15 Feb for a chance to see your work in print!
Home is where the art is: Kingsley Ng
Queenie Li considers the use of public transport in art
Old & New: Young art on old walls
Kate Asquith on the interplay of past and present at Somerville Arts
Review: Lubaina Himid’s ‘Invisible Strategies’
Ewan Davis explores Lubaina Himid’s Invisible Strategies at Modern Art Oxford
Don’t mess with Artemesia
Oliver Baldwin explores the dark story behind Artemesia Gentileschi’s paintings of powerful women
Wadham rejection letter goes viral
Exclusive: Tutor who interviewed applicant praises “spirited response to disappointment”
Old&New: Pascal Pinaud, Granny’s modern rival
Yet another woolly jumper and a visit to the Maeght Foundation outside Nice push Sophie Jordan to consider the artist’s unexpected inspirations
Home is where the art is—Doug Eaton and The Forest of Dean
Ewan Davis finds Doug Eaton’s unlikely colour palettes faithful to the landscape of the Forest of Dean
On the look-out: Hilary 2017 in art
Cherwell Visuals brings you this term's calendar of top exhibitions and events not to miss
Holidays: Cherwell Visuals competition
Whether you spent the vac away or at home, send your holiday art to [email protected] for a chance to see it in print
Review: RA’s Abstract Expressionism
William Freeman is moved from scepticism to epiphany by this diverse exhibition
Windy colours
Emma Leech recalls her encounter with Henry the homeless artist and his unexpected colour palette
Nativity in art: El Greco, La Tour and Spitzweg
Ewan Davis explores the depiction of the Nativity in 16th, 17th and 19th century art
Nativity in art: Gaddi and Botticelli
Ewan Davis explores the depiction of the Nativity in 14th and 15th century art
