Nativity in art: Gaddi and Botticelli
Ewan Davis explores the depiction of the Nativity in 14th and 15th century art
Exeter alumna Helen Marten wins Turner Prize
Exeter College alumna (Fine Art, 2008) receives her second prestigious art prize of the month
Art review: Unreported Worlds
Ellie Siora is confronted by the familiar in the foreign while questioning what it means to be ‘exotic’ at John’s exhibition
Conjuring some museum magic
Altair Brandon-Salmon is astounded by the Ashmolean’s Islam exhibition, Power and Protection
Barbie: Mind over Mattel?
Olivia Retter writes of the bold female aspirations behind her childhood Barbie
Review: ‘Inspiring Impressionism: Daubigny, Monet, Van Gogh’; Scottish National Gallery
Altair Brandon-Salmon is left mildly underwhelmed by the Scottish National Gallery's Impressionist exhibition
The apex of abstraction at Tate Britain
Anietie Ekanem is impressed by the thoughtfulness of 'Conceptual Art in Britain 1964 - 1979'
A cultural devolution
Adam Dumbleton questions the methods used in making culture, history and art more accessible to younger audiences
Touring the Ruskin Show’s newly-defined spaces
Anietie Ekanem is taken by the interactive experience of the Ruskin Show
The full blankness of space
Emmanuelle Soffe discusses the misconceptions of modern art galleries and the White Cube effect
Can art be effective as a means of student protest?
Indispensably inspiring or never as useful as a physical presence? Simran Uppal and Richard Birch debate the strengths and weaknesses of art as a form of protest.
