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Review: RA’s Abstract Expressionism

William Freeman is moved from scepticism to epiphany by this diverse exhibition

Windy colours

Emma Leech recalls her encounter with Henry the homeless artist and his unexpected colour palette

Nativity in art: El Greco, La Tour and Spitzweg

Ewan Davis explores the depiction of the Nativity in 16th, 17th and 19th century art

Nativity in art: Gaddi and Botticelli

Ewan Davis explores the depiction of the Nativity in 14th and 15th century art

Exeter alumna Helen Marten wins Turner Prize

Exeter College alumna (Fine Art, 2008) receives her second prestigious art prize of the month

Art review: Unreported Worlds

Ellie Siora is confronted by the familiar in the foreign while questioning what it means to be ‘exotic’ at John’s exhibition

Conjuring some museum magic

Altair Brandon-Salmon is astounded by the Ashmolean’s Islam exhibition, Power and Protection

Barbie: Mind over Mattel?

Olivia Retter writes of the bold female aspirations behind her childhood Barbie

Review: ‘Inspiring Impressionism: Daubigny, Monet, Van Gogh’; Scottish National Gallery

Altair Brandon-Salmon is left mildly underwhelmed by the Scottish National Gallery's Impressionist exhibition

The apex of abstraction at Tate Britain

Anietie Ekanem is impressed by the thoughtfulness of 'Conceptual Art in Britain 1964 - 1979'