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UrbanObserver
Friday, April 4, 2025
Oxford's oldest independent student newspaper, est. 1920
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Making bad art
Oxford art students discover making bad portraits isn't as easy as it looks.
Kabakov Tate Review- ‘an exercise in alternative perspectives’
Ilya and Emilia Kabakov's 'Not Everyone Will Be Taken into the Future' illustrates the horrors of the Soviet Union through a series of juxtaposing perceptions
Modigliani Tate review – ‘a delight to walk through’
Tate Modern's Modigliani show is tame, but beautiful
A woman weaving herself into history
Hypnotising acidic colours scream out for Anoushka Kavanagh’s attention
The insincerity of the female nude
Women should not be afraid to reclaim their naked bodies, writes Priya Vempali
Sowing the seeds for the Eastern bloc’s sexual revolution
Chantal Marauta explores the life of Russian Revolutionary feminist Alexandra Kollontai and her fight for gender equality
Revolutionary artists: from creatives to criminals
Catherine Cibulskis reflects on the dramatic evolution of Russian art in the immediate aftermath of the revolution
The opening of a closed cultural world
One combative poem has a lot to reveal about the place of artists under Soviet rule, Charlie Baker writes
Touch, tenderness, and technology in Cloud of Petals
Sarah Meyohas’ new exhibition embraces electronic form in its exploration of beauty, writes Eleanor Birdsall-Smith
Imagining the Divine review – engrossing and important
Lizzy Diggins is intrigued by the religious crossovers at the Ashmolean's new exhibition
A perfectly preserved corner of London speaks to modern Britain
Susie Finlay discovers the delights of still-life drama
A little creativity can change a lot about the way we protest
Anoushka Kavanagh reports on the art-activist collective creating playful new forms of direct action
‘Beautiful is good’ – Giovanna Bertazzonia on Christie’s
Altair Brandon-Salmon dives into the world of art auctions with Giovanna Bertazzonia, co-chair of Modern Art at Christie’s
Political cartoons must now be held to a new standard in the age of Trump
Viveka Herzum challenges the role political cartoons play in our current climate
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