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UrbanObserver
Tuesday, March 18, 2025
Oxford's oldest independent student newspaper, est. 1920
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Do LGBT+ creatives have a responsibility to produce queer art?
Being "protected" from anything that resembled queerness did not manage to make me straight
‘All the world’s a stage’: Culture in translation
With Shakespeare’s birth and death date happening on the 23rd of April, I’ve been thinking about what a great man he was. So many...
Happiness is a cigar called Hamlet
While the machine of commerce rumbles on, cynicism towards the smoke and mirrors of modern brand manoeuvrings is never too far from the media,...
Nostalgia: it isn’t what it used to be
I remember a time when I took for granted that I could eat at restaurants, lay around in the park, and visit my family. Weeks...
Hidden in plain sight: Public art in Oxford
Once you’ve seen it, you can’t unsee it.
The Court Painter: The Exclusivity of the ‘Popular’ Artist
For the casual modern art admirer, it might initially be difficult to comprehend the business of art in the 17th-century; a time in which...
‘This dumb blonde ain’t nobody’s fool’: feminist lessons from Dolly Parton
"When all else fails, I just tell a boob joke."
For whom the Tik Toks speak
TikTok is a language entirely based on embracing ridicule
Uniquely comforting consolation: a look at Netflix’s Tiger King
A show perfectly designed to offer release has to do that without troubling itself with the burdens of social responsibility
Titian behind closed doors: the ethics of an erotic gaze.
“Anybody who loves painting loves Titian.” With these bold words and the familiar, if rather flat, echo of Einaudi’s piano, the BBC streamed, digital...
Can museums be decolonised? The restitution question
The first step of reckoning with our colonial past is recognising its remaining presence. Every aspect of modern life is informed by the spoils...
‘And In The End…’
‘…the love you take is equal to the love you make’: the cultural significance of the break-up of The Beatles.
Is escapism acceptable?
We have a certain cultural responsibility
The Virtual Museum: Can technology transform the gallery space?
Curators must employ the technology of the future to breathe life into the past.
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