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UrbanObserver
Tuesday 3rd June 2025
Oxford's oldest independent student newspaper, est. 1920
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‘It’ review – the most purely entertaining horror movie of the year
Jonnie Barrow reviews the latest silver screen horror sensation
“Once again, I find myself applauding the Oxford Revue”
Saskia Thomas tears up at the Oxford Revue's latest Fringe performance, 'Witch Hunt'
‘SiX’ at the Fringe review – “the best hour of comedy I saw all week”
Emily Beswick is blown away by 'SiX' at the Edinburgh Festival Fringe, the first original musical toured by The Other Place's Musical Theatre Society
The everyday art of living
Ramani Chandramohan is enthralled by the creativity behind Japan’s cities and homes, explored in the BBC documentary, The Art of Japanese Life
Houghton Festival 2017 Review
The brand new Houghton Festival impresses, delights and transcends the music it focuses on all together.
‘The Inevitable Quiet of the Crash’ at the Fringe – “a piece that glows with a soft power”
Ela Portnoy falls in love with 'The Inevitable Quiet of the Crash' at the Edinburgh Festival Fringe
Titus Andronicus at the RSC – “Why dost thou laugh? It fits not with this hour”
Will Austin finds the RSC's new production of 'Titus Andronicus' to be an intriguing blend of gore and farce
‘The Optimists’ at the Fringe review – “A farce with the potential to shine”
Sarah Wright is optimistic about 'The Optimists' at the Edinburgh Festival Fringe
‘Hotter’ at the Fringe – experimental and warm, but just short of hot
Ela Portnoy leaves this piece of feminist theatre with a smile on her face
‘Peer Gynt’ at the Fringe review – “a masterfully crafted production”
Set in a timeless world of trolls, princesses and flying deer, Peer Gynt tells the story of a young man’s adventure after he leaves...
The Handmaid’s Tale: unnervingly familiar and uncomfortably relevant
Beccy Swanson is impressed by the cruel visuals setting Channel 4’s The Handmaid’s Tale apart from Atwood’s original novel, but warns against binge-watching
Grief pushes music to its conceptual limits
Mount Eerie's 'A Crow Looked at Me' may seem like an abstract experiment, but with its personal context it is deeply affecting
My town and my gown: Gloucester
Sam Sheppard discusses the differences between his life in Oxford and in Gloucester.
“A fresh and beautiful contemporary jazz repertoire”
Ela Portnoy is overwhelmed by The Oxford Gargoyles' a capella performance at the Edinburgh Festival Fringe
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