A mixture of styles in the Latvian capital
Katherine Wood discusses the intersections in Riga’s architectual trends
“A piece of theatre that feels incredibly close and genuine”
Nina Crisp finds much to praise in 'I Know You', Sam Moore's postmodernist piece of new writing
“The play-text should never have been selected for performance”
Will Austin finds 'Five Women Wearing the Same Dress' to be outdated and hackneyed at the Michael Pilch Studio
“A tense and deeply disturbing piece”
Emily Lawford is left shaken by 'Orca', an award-winning drama about sacrifice and redemption
Dispatches: A meeting of minds, memories, and bad wine
Jem Bosatta explores a connection between memory and the senses
American art at the cutting edge of the 21st century
Altair Brandon-Salmon explores two samples of recent art and their resonances
Exploring Hull and its high water
Julian Wood travels around Kingston-Upon-Hull and immerses himself in 2017's 'City of Culture'
“Fun, thoroughly amusing and worth watching”
Freya Thorpe praises Ambriel Productions’ musical ensemble
Acting out against commoditisation in art
Anoushka Kavanagh considers resistance to the shifting role of the consumer
A day in the life of… a lighting director
I came to Oxford with very little backstage experience. It’s really easy to get into the scene—TAFF (the University network of backstage crew) is...
An odd mix of Sophocles, Stoppard and Wilde
Katie Sayer gives four stars to Simon Callow's revival of a 1970s classic
A day in the life of… an assistant director
Rebekah King describes her role assistant directing Brontë, Polly Teale’s successful 2005 period drama
Rewind: “Our greatest work may be found in our escape”
Carmen Martinez explores the dawdles and doodles of Dr Seuss' Oxford days
Becoming a metropolitan through life in slow motion
Maddison Sumner discusses her experience of moving from the town to the city
