Student film shows us a new side of Oxford

The OUFF summer showcase shows us the skill and imagination of Oxford’s own

What to expect on a student film set

A student set is an exciting and inspiring place to be

The Flick review – ‘a little theatrical masterpiece’

Flick is an exceptional production that brings a thin script to vivid life

Lady Bird paints a perfect picture of female adolescence

Exploring Greta Gerwig’s stunning directorial debut

Jubilee review – ‘Funny, self-referential, and visually exciting’

Bertie Harrison-Broninski finds this adaptation of Derek Jarman's original film is a show one that he might be proud of

The Shape of Water – an odd romance makes perfect sense

Jonnie Barrow finds many parallels to modern issues despite The Shape of Water's period setting

Withnail and I was a buddy comedy unlike any other

An old cult film showing in Cowley proves to be more sadly relevant to the student experience than expected

So bad it’s good: appreciating the joys of cinematic mediocrity

Our absurd obsession with terrible movies

Let’s talk about: mental health on screen

Despite improvements, the romanticisation of mental health issues persists

The Twilight Zone – ‘dizzyingly strange’

The Almeida’s adaptation of the hit TV show is baffling and brilliant in equal measure, writes John Livesey

Spike Lee Doesn’t Have It

Imogen Edwards-Lawrence finds fault with the Netflix reimagining of Spike Lee's classic film

The Death of Stalin review – ‘it straddles that oh-so-narrow line between repellent and comic’

Christopher Goring enjoys the satire of Iannucci’s warped world behind the Iron Curtain

Poirot’s enduring appeal

Branagh’s Murder on the Orient Express reminds us why the detective remains so intriguing, writes Raffaella Sero

Adolescent queer love in ‘Call Me By Your Name’

Angelica De Vido finds the rich exoticism of Italy a perfect compliment to this tale of summer homoeroticism

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