film Archives - Page 11 of 18

Fast & Furious Presents: Hobbs & Shaw (2019)- Review

Within the first five minutes of Fast and Furious Presents: Hobbs & Shaw, Idris Elba jumps onscreen off of a CGI motorbike and announces...

Animals (2019) review

Sophie Hyde’s latest film Animals, adapted from Emma Jane Unsworth’s 2015 novel, is a welcome antidote to the friendships of fun, feminist, Glossier-buying millennial women that...

Music on the Big Screen

Music’s place in cinema: why the soundtrack must be unforgettable

Apollo 11 (2019)- An Interview with archival producer Stephen Slater

Mattie O'Donovan speaks with Stephen Slater, the chief archival producer for Apollo 11, a new, critically lauded documentary on the first moon landing.

Sensual Absence in Jim Jarmusch

"If there is one thing Stranger than Paradise and Down by Law teach about Jarmusch, it is that he does a disservice to himself every time he makes a film in technicolour"

Boards, Beats and Bros: Mid90s Review

"Following the traditional narrative arc of the coming-of-age tale, the film follows Stevie as he rides out the highs and lows of adolescence, and learns important life lessons along the way."

9 to 5 and Feminism

Dolly Parton's iconic film is a feminist powerhouse

The Sweet Smell of Excess

"While the social implications of excessive behaviour seem real and uncomfortable, then, the extent to which films tend to deal with these is, we surely have to admit, limited."

In Defence of Excess

"You feel attacked, but you also feel seen – and really, is that not one of the most important things people look for when watching a film – to feel seen? "

‘Carry-On’ Excess-ing?

The dated views of the Carry-On films may offer their own entertainment

Ted Bundy Reinvented

Joe Bertlinger’s Ted Bundy biopic, released to Sky Cinema on Friday, seemed to be just one more of the latest string of films blatantly...

Review: At Eternity’s Gate

It is worth watching At Eternity’s Gate for Julian Schnabel’s mesmerising cinematography alone. This new biopic of Vincent van Gogh, with the titular character...

Behind Closed Drawbridges

Why are we so fascinated by stories of royalty?

Inheriting ‘The Big Score’

Examining the appeal of the classic heist film

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