Tag: history

A discussion of the new historical concept album from Frank Turner, "No Man's Land".

The curators of an upcoming exhibition celebrating Oxford’s everyday queer history are appealing for local people to loan memorabilia. “Queering Spires” is a collaboration between...

Why the newest offering from Frank Turner was a pleasant surprise

The enticing title doesn’t do justice, however, to the breadth of the collection: 400 objects from around the Roman world and beyond, covering centuries, showcasing the Romans’ relationship to food and drink.

The standards of beauty in the media are goalposts that are constantly being shifted by cultural currents in history. But are trends in literature and film of #bodypositivity and self-love doing enough? Georgia Watkins investigates.

The narrative of resistance and domination in relationships has been the recourse of storytellers since pre-Christian times, with the same lurid, visceral quality evident in Greek myth as in the modern trend of disturbingly violent porn. Yet these primal, animalistic tropes of female subjugation now exist in a ‘civilised’ society, whose vernacular is one of #TimesUp, sex positivity and high-street feminism.

Fellow historian Matthew Sweet labelled Wolf’s mistake a “pretty basic error”

"I don't think history always 'gets better'": the historian and presenter on queens, clothing and curation

The first post of its kind at Oxbridge, the research will focus on “explor[ing] connections between the college and colonialism".

The Pitt Rivers Museum is reviewing its display of shrunken heads after concerns were raised about the sensitivity of the display. The museum has...

The artist as revolutionary is a wonderful image, and perhaps one that is forced upon creatives of our day. However, it is imperative to recall both the political power of artistic media, and the inherent ideology of created works.

A reflection on the implications of fashion - the good and the bad - through changing historical contexts

The French-German film Frantz, however, has gone unnoticed by many English-speaking viewers, despite being one of the most powerful films released to explore the after-effects of World War I.

Oxford’s curriculum is woefully Eurocentric