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UrbanObserver
Friday, April 25, 2025
Oxford's oldest independent student newspaper, est. 1920
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Tag:
Michael Pilch
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The Goat Review: ‘raw, absurdist, and honest’
Clarendon Productions brings The Goat, or Who is Sylvia? (Edward Albee) to the Michael Pilch studio, painfully, humorously, and soulfully. Seated in the round,...
Review: A View from the Bridge – ‘dramatic, gripping and surprisingly funny’
This latest revival of the Arthur Miller classic copes well with its challenging text (and challenging accent).
Preview: A View from the Bridge – a fresh take on the Miller classic
Practically Peter Productions bring the Arthur Miller classic set in 1950s Brooklyn to the Pilch in Sixth Week.
Preview: Your Little Play – ‘your life is defined by the choices you make’
A piece of new writing about sexual misconduct and power feels particularly timely as it heads to the Pilch in 4th week.
Review: I punched a Nazi (((and i liked it))) – ‘Brechtian to the absolute T’
I found out I wasn’t going to be allowed to punch a Nazi
Review: Many Moons – “thoroughly compelling”
Stellar performances and staging create a wonderfully emotive piece, but its bitter narrative makes it a hard pill to swallow
Preview: Many Moons – ‘the edges of a crowd’
Small Fry Theatre’s production of the Alice Birch play provides a tense snapshot between the worlds of the intimate and immense
Review: How to Make Friends and then Kill Them – ‘brilliantly toes the line between laughing and crying’
Coningsby Productions' three-woman production impresses with its relentless movement and convincing performances
Review: House of Improv presents: I’m an Improviser Get Me Out of Here! – ‘relentlessly silly’
House of Improv presents an improvised hour of moon shoes, jacuzzis, and reckless fun
Death By Murder Review – ‘an endearingly ambitious bunch of clowns’
Oxford's newest improvised comedy troupe impress in their debut show at the Pilch
Revolt. She Said. Revolt Again Review – ‘a perfect balance between unsettling humour and sincere urgency’
Alice is impressed by this urgent feminist showcase, although it sometimes feels constrained
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Michael Pilch