"Miss Moffat plucks Morgan Evans out of the mines, trains him to speak like a gentleman, and stuffs his head with Adam Smith and Voltaire. It’s like My Fair Lady, but gender-swapped and very, very Welsh."
"Why stage Romeo and Juliet a year into a global pandemic? Godwin’s primary response to the pandemic appears to be the focus on touch in the production: it reminds us of the power of human contact, and the depth of feeling that can only be experienced in person."
Katie Kirkpatrick reviews the new National Theatre production of Shakespeare's classic tragedy, Romeo and Juliet.
When you imagine ‘going
to the theatre’, an image of
you in your dressing gown, sitting on the sofa and eating popcorn probably
doesn’t come to mind....