Some robotic pretentious waffle. Some cynical love songs. Some good hooks, a few nice bridges. Rinse and repeat for an album for an identikit album, with a dozen else out there the same.
[The exhibition] is delightfully creepy, especially the sections where the artefacts are resting on the glass above you in chimney-like structures, forcing you to walk into dark little alcoves and crane your neck up to see them.
It's a film sure to make piles of "Money, Money, Money" at the box office, but will this sequel have you saying "Thank You For The Music", or reaching to flush it down the "Waterloo"?