Bucking the trend and defying Britishness: a preview of STOP
James Tibbles takes a sneak peek at STOP, the OUDS touring musical
Guys, I’ve got a text! – Love Island comes to a close
Alice Robinson breaks down the latest season of Love Island and questions the reputation of trash TV.
“One of the greatest war movies ever made”
Matthew Vautrey is entranced by Christopher Nolan's visual spectacle for the summer
“An ethereal but disillusioned fairytale grounded in historical reality”
Katie Sayer highly recommends 'Yank!', a new musical about gay subculture in the US military during WW2
“Don’t paint me like one of your French Girls, I’ll damn well paint myself”
Priya Khaira-Hanks is blown away by pretty pornography at Dreamers Awake, and explains how naked women can still be powerful
“Refreshing, original and honest – a genuine delight to watch”
Katie Sayer gives five stars to 'Touch', a brand new sexual comedy from the makers of 'Fleabag', at the Soho Theatre
Gangster rap with glimmers of uniqueness
Big Fish Theory is a refreshing spin on modern rap music that shows there is plenty of talent and potential within Vince Staples
‘Baby Driver’ dazzles and thrills
Daniel Kodsi reviews 'Baby Driver', an action story that packs a musical punch, with a love story at its heart
‘Spider-Man: Homecoming’ defies expectations as a surprising pleasure
Jonnie Barrow finds the new Marvell instalment provides a fresh take on the stale Spider-Man character
Better Caul Saul: Season Three Reviewed
Nancy Epton draws comparisons between the Netflix prequel and its AMC original, whilst shedding light on the cast beyond the eponymous character
‘A visual masterpiece’
Izzy Smith admires The Cursed Child’s combination of nostalgia and freshness
“At times refreshingly witty and sharp, and then lets itself down…”
Hugo McPherson is left questioning by 'Arseholes', a new play about Rimbaud and Verlaine
OxView: Best finales
Calum Bradshaw lines up three of the best cinematic finishes
‘Community’ teaches us all how to say goodbye
Christopher Goring looks back nostalgically at the final episode of the cult postmodernist sitcom
