review Archives - Page 28 of 39

Baby Blues review – ‘gripping, entertaining and tragic’

'Baby Blues' at the Camden Etcetera Theatre is shocking portrayal of the realities of postnatal depression, writes Isabella Rooney

‘It’ review – the most purely entertaining horror movie of the year

Jonnie Barrow reviews the latest silver screen horror sensation

‘SiX’ at the Fringe review – “the best hour of comedy I saw all week”

Emily Beswick is blown away by 'SiX' at the Edinburgh Festival Fringe, the first original musical toured by The Other Place's Musical Theatre Society

Grayson Perry’s Polymorphous Popularity

Georgiana Wilson explores Grayson Perry's image, identity, and popularity after seeing his latest exhibition

‘Sex Education’ at the Fringe review: ‘unapologetic’ and ‘well-researched’

Po Odomil Ler learns a lot from 'Sex Education'

Coming full circle: The importance of Queer British Art for young people

Billie Esplen considers the relevance of Tate Britain's Queer Britain exhibition

‘Half Breed’ at the Fringe Review: ‘Beautifully articulated’

Izzy Smith is overwhelmed by Natasha Marshall's play about race, friendship and finding a voice

‘The Inevitable Quiet of the Crash’ at the Fringe – “a piece that glows with a soft power”

Ela Portnoy falls in love with 'The Inevitable Quiet of the Crash' at the Edinburgh Festival Fringe

Titus Andronicus at the RSC – “Why dost thou laugh? It fits not with this hour”

Will Austin finds the RSC's new production of 'Titus Andronicus' to be an intriguing blend of gore and farce

‘The Optimists’ at the Fringe review – “A farce with the potential to shine”

Sarah Wright is optimistic about 'The Optimists' at the Edinburgh Festival Fringe

‘Hotter’ at the Fringe – experimental and warm, but just short of hot

Ela Portnoy leaves this piece of feminist theatre with a smile on her face

‘Peer Gynt’ at the Fringe review – “a masterfully crafted production”

Set in a timeless world of trolls, princesses and flying deer, Peer Gynt tells the story of a young man’s adventure after he leaves...

The Handmaid’s Tale: unnervingly familiar and uncomfortably relevant

Beccy Swanson is impressed by the cruel visuals setting Channel 4’s The Handmaid’s Tale apart from Atwood’s original novel, but warns against binge-watching

“A fresh and beautiful contemporary jazz repertoire”

Ela Portnoy is overwhelmed by The Oxford Gargoyles' a capella performance at the Edinburgh Festival Fringe

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