‘Salazar’s Revenge’ sinks with no survivors
Emily Lawford finds little good in the fifth Pirates of the Caribbean movie
“Exploring what it means to be an intelligent modern woman”
Sîan Bayley finds much to praise in 'Girls Will Be Girls' at the BT Studio
“The biggest student comedy event of the year”: Oxford Revue and Friends
Miriam Nemmaoui chats to Olly Jackson ahead of the Oxford Revue's hotly tipped performance
OxFilm: “An hour—and a £3—very well spent”
Sandy Elliot is impressed by the range of talent on show at the launch of OUFF’s Easter Projects
Old and new fuse in ‘Twin Peaks: The Return’
Joe Baverstock-Poppy sees the best of David Lynch at work in the show's revival
“Its clear, accessible acting makes intelligible a foreign tongue”
Martin Newman is captivated by the Oxford Italian Play, 'Mistero!'
“Pleasingly thoughtful and thought-provoking”
Natasha Burton previews 'Rewritten' at the Michael Pilch Studio
“It kept me hooked right until the final denouement”
Harry Hatwell applauds Playlliol's rendition of 'A View from the Bridge'
Old and new fused in ‘Alien: Covenant’
Jonnie Barrow examines the influences of Ridley Scott’s latest horror
“A fierce accomplishment”
Will Austin is absorbed in 'Reigen', a revival of Arthur Schnitzler’s controversial sexual drama
“Emotive, vibrant, and politically charged”: Hamilton
Izzy Smith praises Lin-Manuel Miranda’s powerful soundtrack
A day in the life of… A script writer
Stage editor Katie Sayer considers the Oxford drama scene from the perspective of a budding playwright
A sequel packed with character and heart
"Director James Gunn has crafted one of the funniest and most genuinely moving Marvel films I can remember."
Calum Bradshaw has his doubts hushed by Guardians of the Galaxy Vol.2
A rhetorical revolution on Trump?
Ethan Croft explores the academic discussion of Donald Trump's election and administration
