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UrbanObserver
Monday, March 17, 2025
Oxford's oldest independent student newspaper, est. 1920
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stage
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stage
Fringe 2017: ‘Radio’ review – “yet another gleaming success for Sunscreen Productions”
Christian Bell finds recognisable features of university life in 'Radio', an original student play at the Edinburgh Fringe
Oxford Takes The Fringe
Katie Sayer presents Cherwell's comprehensive guide to the 2017 Edinburgh Festival Fringe
Bucking the trend and defying Britishness: a preview of STOP
James Tibbles takes a sneak peek at STOP, the OUDS touring musical
“An ethereal but disillusioned fairytale grounded in historical reality”
Katie Sayer highly recommends 'Yank!', a new musical about gay subculture in the US military during WW2
“Refreshing, original and honest – a genuine delight to watch”
Katie Sayer gives five stars to 'Touch', a brand new sexual comedy from the makers of 'Fleabag', at the Soho Theatre
“Charlie Fink is a genius, and ‘Cover My Tracks’ a triumph”
Katie Sayer is enraptured by Charlie Fink's modest yet outstanding new play 'Cover My Tracks'
‘A visual masterpiece’
Izzy Smith admires The Cursed Child’s combination of nostalgia and freshness
“At times refreshingly witty and sharp, and then lets itself down…”
Hugo McPherson is left questioning by 'Arseholes', a new play about Rimbaud and Verlaine
“Intense and enjoyable to watch”
Nina Crisp enjoys an intense and enjoyable performance
“Exploring what it means to be an intelligent modern woman”
Sîan Bayley finds much to praise in 'Girls Will Be Girls' at the BT Studio
“The biggest student comedy event of the year”: Oxford Revue and Friends
Miriam Nemmaoui chats to Olly Jackson ahead of the Oxford Revue's hotly tipped performance
“A fascinating interpretation of Racine’s masterpiece”
Louisa Cotterhill is left stunned by 'Phèdre', a modern rendition of an ancient tragedy
“Precisely the kind of theatre I would like to see more of in Oxford”
Charles Britton is besotted with the potheads in 'Garden'
“Its clear, accessible acting makes intelligible a foreign tongue”
Martin Newman is captivated by the Oxford Italian Play, 'Mistero!'
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