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UrbanObserver
Tuesday 27th January 2026
Oxford's oldest independent student newspaper, est. 1920
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stage
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‘She is the one controlling the play’- Rufus Norris’ Macbeth
Norris’ production is a moving theatrical piece that allows Lady Macbeth to be the puppeteer she has so desperately always wanted to be.
RSC Macbeth Review: ‘technical wizardry fails to bring any tension or magic’
Dodgy directoral decisions and acting leaves one foreseeing a dark future for this unconvincing RSC production
The Ferryman Review – ‘bursting with intergenerational energy and tragic potency’
Jez Butterworth and Sam Mendes' present a tale of a family riven by personal loss and political upheaval
The Great Wave Review – ‘a complete clash of cultures, identities, and outlooks’
Indhu Rubasingham's revealing production about a dark part of Japanese cultural history is relevant and immensely human
I Slept In These Clothes review – ‘comics to look out for’
Fenella Sentance is thoroughly entertained by the dynamic of Verity Babbs and Chloe Jacob's comedy duo
A Review of Reviewing: of Source-Texts and Slighting
Charles Britton ponders the relationship between a borrowed script and an adapted performance in theatre criticism
13 Review – ‘effectively and enjoyably portrays Bartlett’s broken Britain’
Bertie Harrison-Broninski is impressed by the ambition and scope of this drama of political intrigue and belief
Summer and Smoke Review – ‘re-staged inventively, but unpretentiously’
Rebecca Frecknall's musical re-imagining of William's play at the Almeida is dazzling
The Crocodile review – ‘a carefully considered yet hilariously nuts production’
Cesca Echlin is left in fits after a performance of Dostoyevsky's short story
Labyrinth preview – ‘an impressive blend of exciting text and creative movement’
Tom Mackie finds himself anything but lost in this psychomaniacal retelling of the Theseus and Ariadne myth
Ishtar preview -‘Nothing if not entrancing’
An excellently engaging gloss of an intriguing archaic myth
Crocodile preview – ‘This is going to be properly funny’
Nitrous Cow look set to provide a rip-roaring comedy follow-up to their sold out debut 'Lovesong' last term
Protest as performance – Suffragettes take the limelight
Breaking the Fifth Wall festival kickstarts with an illuminating talk
Hedda review – ‘stubbornly disturbing and nuanced’
The most anticipated-show of Hilary term lands with both style and substance
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