Silent Night Review – ‘a story very relevant to our time’

The multilingual reimagining of the Christmas Truce at Leeds Town Hall feels particularly timely

“After three hours in an Omniplex I am, at least, still alive” – livestreaming from theatre to cinema

Dorothy McDowell sees potential in livestreaming theatre, but it still fails to reach a mainstream audience

Table Manners Preview – ‘reworked in a highly engaging manner’

Alex Rugman previews Flared Productions' reworking of Alan Ayckbourn's play.

Breaking down stigma, challenging genre, and facilitating conversation – the new musical, ‘Nice Guy’

A visit to the Oxfordshire charity 'Clean Slate' with the cast of new musical 'Nice Guy'

‘The Jungle’ Review — a somber celebration of solidarity, hope and resilience

Leaving the theatre and walking straight into the first grey downpour of rain we had had in months never felt more fitting an atmosphere...

The Squirrel Plays Review – ‘carried off with subtlety and aplomb’

Tenderness and humour emerge from a play that challenges a sobering subject

The Actor’s Nightmare Review – “a high octane sprint through an abominable nocturnal dystopia”

Mercury Theatre Productions' venture into theatrical hell is impressive, but the length of the production lets it down

Dining al Desko Preview – ‘a tale of high treachery and highlighters’

An acutely observed examination of inane office politics, despair, and social media

A Doll’s House preview – ‘a beautiful play to watch’

An intimate cast, toxic relationships, and powerful dialogue magnify a society on the cusp of sexual revolution

Medea Review – ‘vengeful, manipulative, and captivating’

More than just a play: 'Medea' reminds us why we go to the theatre

Underrated Spaces: Jesus College Hall

The Devil is in the detail of this early modern revival

Butt Kapinski Review – ‘a masterclass in light-hearted entertainment and audience participation’

Charles Britton is both amazed and horrified by Deanna Fleysher's oddball creation

Travesties review – ‘a very competent production of a fiendishly complicated play’

Roddy Howland Jackson is charmed by a dynamic, absurdist comedy of historic proportions

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