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UrbanObserver
Saturday 5th July 2025
Oxford's oldest independent student newspaper, est. 1920
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Fade to Black – a history of the theatrical blackout
The convention which now seems part-and-parcel of theatre wasn’t always there – indoor venues and developments in lighting provided new staging opportunities. But what is the theatrical blackout for?
Who’s direction is it anyway? An interview with the director of How to Make Friends and then Kill Them
Charlie Rogers talks black-box theatre and responds to recent Oxfess controversy
Review: House of Improv presents: I’m an Improviser Get Me Out of Here! – ‘relentlessly silly’
House of Improv presents an improvised hour of moon shoes, jacuzzis, and reckless fun
Review: Gods are Fallen and All Safety Gone – ‘a relationship fraying at the edges’
Rose on a Rail's latest production provides a touching and intimate look into a complex mother-daughter relationship.
Review: Frog’s Legs – ‘light-hearted façade with a dark core’
Shepherd-Cross' new play treads a fine line between offensiveness and good taste - is it all the better for it?
Review: Antony and Cleopatra – a star-studded Shakespeare
Lawrence Li is impressed by the National Theatre’s opulent imagining of a Shakespearean classic
Silent Night Review – ‘a story very relevant to our time’
The multilingual reimagining of the Christmas Truce at Leeds Town Hall feels particularly timely
“After three hours in an Omniplex I am, at least, still alive” – livestreaming from theatre to cinema
Dorothy McDowell sees potential in livestreaming theatre, but it still fails to reach a mainstream audience
Table Manners Preview – ‘reworked in a highly engaging manner’
Alex Rugman previews Flared Productions' reworking of Alan Ayckbourn's play.
Breaking down stigma, challenging genre, and facilitating conversation – the new musical, ‘Nice Guy’
A visit to the Oxfordshire charity 'Clean Slate' with the cast of new musical 'Nice Guy'
‘The Jungle’ Review — a somber celebration of solidarity, hope and resilience
Leaving the theatre and walking straight into the first grey downpour of rain we had had in months never felt more fitting an atmosphere...
The Squirrel Plays Review – ‘carried off with subtlety and aplomb’
Tenderness and humour emerge from a play that challenges a sobering subject
The Actor’s Nightmare Review – “a high octane sprint through an abominable nocturnal dystopia”
Mercury Theatre Productions' venture into theatrical hell is impressive, but the length of the production lets it down
Dining al Desko Preview – ‘a tale of high treachery and highlighters’
An acutely observed examination of inane office politics, despair, and social media
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