A word from the stalls
Miriam Nemmaoui accosts a teary-eyed audience member emerging from the Burton Taylor Studio, after the final showing of STOP
Review: ‘Collaborators’
Tilly Nevin rates this student production as amongst the best she has seen in Oxford
Review: STOP
Amaris Proctor admires this play's refreshingly frank attitude towards mental illness
A fusion of movement, light, and sound
Christopher James Goring finds much to admire in the complexity of Illuminated
Review: John Hodge’s ‘Collaborators’
Bessie Yuill finds herself simultaneously amused and disturbed by this dark tragedy about a fictional meeting between Stalin and Bulgakov
In conversation with the creators of ‘STOP’
Suzy Cripps talks mental illness and magic with the writers of a new musical
Review: Bowie’s Lazarus
Julia Alsop is perplexed by the stellar complexities of this production at the King’s Cross Theatre
Time Tunnel: Edward II
Susannah Goldsbrough delves into the archive to discuss Marlowe’s Edward II
Through the Looking Glass: The ‘modesty’ of Alan Bennett’s Oxford
Susie Finlay explores the relationship between Alan Bennett's political views and his time at Oxford
A fresher’s first forays into Oxford theatre
Christopher Goring reveals his first experiences in the Oxford drama scene
Review: ‘Living With The Lights On’
Izzy Smith is gripped by a play that shines a light on a dark illness
Review: The Pillowman
ATG's production is a triumphant display of dark humour and raw emotion - not for the faint-hearted
Preview: The Pillowman
Jeevan Ravindran relishes the brutal comedy of ATG's production of The Pillowman
Backstage dialogue with Sarah Wright
Sapphire Shoferpoor talks directing, writing, and time management with third year linguist Sarah Wright