Backstage dialogue with Sarah Wright
Sapphire Shoferpoor talks directing, writing, and time management with third year linguist Sarah Wright
All wound up by a Clockwork Orange
It is always a challenge to adapt a novel’s narrative to the stage. Even more so, when the novel is a dystopia like A...
The Cursed Child: ultimate fan fiction?
To get this out of the way: yes, Harry Potter and the Cursed Child is not only like a piece of fanfiction, but aims...
Review: Foxtrot at the Edinburgh Fringe
Peter Thickett is drawn into a complex reflection on the dehumanisation of missing women at the Fringe
Oxford Playhouse to reopen after refurbishment
Iconic Oxford theatre will reopen with production of Peter Pan sequel
Review: XX (kiss kiss)
Aidan Balfe is enthralled by the innovation of the algorithmic play about love
Review: The Weir
There is a certain type of absolute silence that only comes with good storytelling – it is the silence of held breath, of absolute...
Spotlight: Drama and identity
Alex Barasch notes a welcome development in Oxford’s theatre scene and beyond
Interview: Jessy Parker Humphreys
Alex Barasch talks to Jessy Parker Humphreys, one half of Not Your Nice Girl, about gender, drama and performance art in Plush
