Peter Thickett is drawn into a complex reflection on the dehumanisation of missing women at the Fringe
Iconic Oxford theatre will reopen with production of Peter Pan sequel
Aidan Balfe is enthralled by the innovation of the algorithmic play about love
There is a certain type of absolute silence that only comes with good storytelling – it is the silence of held breath, of absolute...
Alex Barasch notes a welcome development in Oxford’s theatre scene and beyond
Alex Barasch talks to Jessy Parker Humphreys, one half of Not Your Nice Girl, about gender, drama and performance art in Plush