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The artist as revolutionary is a wonderful image, and perhaps one that is forced upon creatives of our day. However, it is imperative to recall both the political power of artistic media, and the inherent ideology of created works.
The French-German film Frantz, however, has gone unnoticed by many English-speaking viewers, despite being one of the most powerful films released to explore the after-effects of World War I.
Oxford’s curriculum is woefully Eurocentric
Colonialism, empire and disease: this tasty tipple has an interesting story
The changes are to ensure thesis examiners are "most appropriately qualified"
Who knew history could sound so good?
The show is vulgar, insular, and heavy-handed
Our reimagination of classic works reflects our new priorities
The wooden display cases in the Oxford University Museum of Natural History are set to be replaced by glass cabinets
Bridget McNulty discusses Hugh Ortega's debut collection and Chilean identity