Touch, tenderness, and technology in Cloud of Petals
Sarah Meyohas’ new exhibition embraces electronic form in its exploration of beauty, writes Eleanor Birdsall-Smith
Imagining the Divine review – engrossing and important
Lizzy Diggins is intrigued by the religious crossovers at the Ashmolean's new exhibition
Cyrano de Bergerac preview – “heartwarming and heartbreaking”
James Woodbridge previews exciting new musical Cyrano de Bergerac
Three Parallel Places review – “a bit all over the place”
Chloe Taylor leaves 'Three Parallel Places' with mixed feelings
‘Oslo’ Review – “a gripping political thriller straight off broadway”
Harry Hatwell reviews the Tony-winning Lincoln Center production of 'Oslo' at its UK press night on London’s South Bank
Five Minutes With: Charlotte Vickers, University Drama Officer
We chat to Charlotte Vickers, the University Drama Officer, about how she got to where she is today, and why she wouldn’t want to stage her favourite play at Oxford
‘Hair’ at The Vaults review – as raunchy and relevant as ever
Katie Sayer strongly recommends 'Hair', the hippie-inspired cult classic, on it's 50th anniversary performance
The Oxford Revue: The Best of the Fringe review – it left me in stitches
Chloe Taylor finds much to praise in the Oxford Revue's latest performance
The Ripieno Players Beethoven Piano Concerto review – a particularly impressive performance
Jacob Greenhouse commends the Ripieno Players for their rendition of two classic orchestral pieces
Nihilism, narcissism and noobnoob as ‘Rick and Morty’ returns
Despite the criticism, Olivia Webster is impressed with season three of Rick and Morty
Tis A Pity She’s A Piglet review – “Energetic and farcical, if lacking discipline”
Ethan Croft reviews Paul Foot’s new venture, ‘Tis A Pity She’s A Piglet, as the Merton alumnus returns to Oxford on tour
‘Blade Runner 2049’ pleases fans of the cult classic
Matthew Nicholson compares the 'Blade Runner' sequel to the classic original
Basquiat brought to life at the Barbican
Excessive detail hinders an energetic and ground-breaking Basquiat exhibition, writes Eleanor Birdsall-Smith
‘Caesar’ at the Keble O’Reilly – preview
Miranda K. Gleaves previews 'Caesar', a hot new reinterpretation of a classic Shakespeare play from Cosmic Arts
