‘Half Breed’ at the Fringe Review: ‘Beautifully articulated’
Izzy Smith is overwhelmed by Natasha Marshall's play about race, friendship and finding a voice
‘The Inevitable Quiet of the Crash’ at the Fringe – “a piece that glows with a soft power”
Ela Portnoy falls in love with 'The Inevitable Quiet of the Crash' at the Edinburgh Festival Fringe
Titus Andronicus at the RSC – “Why dost thou laugh? It fits not with this hour”
Will Austin finds the RSC's new production of 'Titus Andronicus' to be an intriguing blend of gore and farce
‘The Optimists’ at the Fringe review – “A farce with the potential to shine”
Sarah Wright is optimistic about 'The Optimists' at the Edinburgh Festival Fringe
‘Hotter’ at the Fringe – experimental and warm, but just short of hot
Ela Portnoy leaves this piece of feminist theatre with a smile on her face
‘Peer Gynt’ at the Fringe review – “a masterfully crafted production”
Set in a timeless world of trolls, princesses and flying deer, Peer Gynt tells the story of a young man’s adventure after he leaves...
“A fresh and beautiful contemporary jazz repertoire”
Ela Portnoy is overwhelmed by The Oxford Gargoyles' a capella performance at the Edinburgh Festival Fringe
‘Road’ review – ‘A formidable fusion of poetry, movement and humour’
Lucy Miles finds bleak topicality in Jim Cartwright's 'Road', recently revived at London's Royal Court
‘STOP’ at the Fringe review – “it deserves an award for excellence in storytelling”
STOP, an original student musical at the Edinburgh Fringe, is a powerful engagement with today's mental health crisis, writes James Tibbles
Fringe 2017: ‘Radio’ review – “yet another gleaming success for Sunscreen Productions”
Christian Bell finds recognisable features of university life in 'Radio', an original student play at the Edinburgh Fringe
Oxford Takes The Fringe
Katie Sayer presents Cherwell's comprehensive guide to the 2017 Edinburgh Festival Fringe
Bucking the trend and defying Britishness: a preview of STOP
James Tibbles takes a sneak peek at STOP, the OUDS touring musical
“An ethereal but disillusioned fairytale grounded in historical reality”
Katie Sayer highly recommends 'Yank!', a new musical about gay subculture in the US military during WW2
“Refreshing, original and honest – a genuine delight to watch”
Katie Sayer gives five stars to 'Touch', a brand new sexual comedy from the makers of 'Fleabag', at the Soho Theatre
