Men directing women: Almódovar ‘Julieta’
Benjamin Davies discusses guilt, colours and female relationships in Pedro Almódovar’s latest work
Which film best represents your Oxford college?
Oxford colleges are known for their quirks, and inspired by these traits, here’s part two of the Cherwell guide to movies that reflect our...
Review: ‘A Monster Calls’
Jonnie Barrow is impressed by Bayona’s adaptation of an underrated children’s novel
Disney princesses and ‘Lolita’: the danger of men writing women
Carolina Earle explores how masculine fantasies have shaped and corrupted our childhood obsessions
Review: ‘La La Land’
Jonnie Barrow is amazed by Chazelle’s modern musical, which reinvents a forgotten genre
Review: Silence
Surya Bowyer is impressed by Scorsese's latest cinematic venture, a long and taxing, yet beautifully moving work
How to pass collections via the medium of film
Whether you study English or Engineering, Tesni Jones suggests a film for you to combine revising with relaxing
Review: ‘Moana’
Tesni Jones is impressed with this well-researched and heartwarming addition to the Disney Princesses
‘Love Actually’ ten years on: irrelevant ephemera or pertinent modern fairy-tale?
Manish Binukrishnan explores the relevance of this festive classic for our generation
Review: Fantastic Beasts and Where to Find Them
Izzy Smith gives four and a half stars to the spin-off of a well-loved classic
Sci-fi review: Arrival
Jonnie Barrow finds Villeneuve’s latest release a true masterpiece in both performances and intellectual power
Rewind: Disney’s Fantasia
Bessie Yuill reminds us of the fantastical history of Fantasia
Cherwell Film School: Telling a story
Stories are the referential point of film, a good story says something in a coherent and human
way in order to relate to real experiences
Troublingly telegenic: Oxford in film
Priya Khaira-Hanks takes issue with the extent of Oxford’s fictional presence.
