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Tag: modern art

A Future in the Light of Darkness review: Imagined engines of desire

Modern Art Oxford’s exhibit Frieda Toranzo Jaeger: A future in the light of darkness counters the potential for automated vehicles and social media algorithms to...

Freida Toranzo Jaeger’s Prophetic Glitter

Freida Toranzo Jaeger names her paintings like items in a manifesto: Extinction is the price we pay for our existence (2023), Open your heart...

Modern Art Oxford launches exhibition by Oxford fellow: ‘Samson Kambalu: New Liberia’

"Modern Art Oxford (MAO) has opened a new exhibition ‘Samson Kambalu: New Liberia’ depicting the work of Oxford-based artist and writer Kambalu"

Giant pink pen statue to be built outside of the School

Oxford City Council has approved plans by the Blavatnik School of Government to erect a statue of a giant pink pen in the Radcliffe...

Art in the Age of Technology

Imagine the future. You walk into a room expecting an art gallery. Instead, you come face to face with a baron white cubicle. A woman stands in the corner, holding a pair of VR glasses. She hands them to you. Puzzled, you put them on.

Kabakov Tate Review- ‘an exercise in alternative perspectives’

Ilya and Emilia Kabakov's 'Not Everyone Will Be Taken into the Future' illustrates the horrors of the Soviet Union through a series of juxtaposing perceptions

Modigliani Tate review – ‘a delight to walk through’

Tate Modern's Modigliani show is tame, but beautiful

Hokusai: Beyond The Great Wave – a man possessed by the Japanese landscape

Becky Cook is awestruck by Hokusai’s ‘The Great Wave’ but says the artist fails to discover anything beyond the masterpiece at the British Museum’s current exhibition

A tempestuous tribute to a perplexing artist

Anoushka Kavanagh is confronted by an ouevre permeated by emotional and creative conflict in Giacometti’s retrospective at the Tate Modern

Old&New: Songs of displeasure

Sydney Gagliano on being open-minded about overlooked art

Review: Lubaina Himid’s ‘Invisible Strategies’

Ewan Davis explores Lubaina Himid’s Invisible Strategies at Modern Art Oxford

The apex of abstraction at Tate Britain

Anietie Ekanem is impressed by the thoughtfulness of 'Conceptual Art in Britain 1964 - 1979'

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