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UrbanObserver
Wednesday, April 30, 2025
Oxford's oldest independent student newspaper, est. 1920
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‘Hair’ at The Vaults review – as raunchy and relevant as ever
Katie Sayer strongly recommends 'Hair', the hippie-inspired cult classic, on it's 50th anniversary performance
The Ripieno Players Beethoven Piano Concerto review – a particularly impressive performance
Jacob Greenhouse commends the Ripieno Players for their rendition of two classic orchestral pieces
La Bohème review – ‘Shabby and chic but not lacking in charm’
Amid the fakery of Shoreditch, Jack Hunter finds a rare thing: an age-old opera that celebrates the joy of being young
“Once again, I find myself applauding the Oxford Revue”
Saskia Thomas tears up at the Oxford Revue's latest Fringe performance, 'Witch Hunt'
‘It’s even kind of morale boosting, in a Lana kind of way’
Nicola Dwornik praises Lana Del Rey's latest subtle reinvention
‘A nuanced and complex musical creation’
Thomas Athey finds Public Service Broadcasting's 'Every Valley' has many peaks
Houghton Festival 2017 Review
The brand new Houghton Festival impresses, delights and transcends the music it focuses on all together.
Hannah Kessler: “Music is an incredibly therapeutic thing”
Lily Begg discusses subverting the male gaze, empowerment and juggling Oxford life with up and coming musician Hannah Kessler
Grief pushes music to its conceptual limits
Mount Eerie's 'A Crow Looked at Me' may seem like an abstract experiment, but with its personal context it is deeply affecting
“A fresh and beautiful contemporary jazz repertoire”
Ela Portnoy is overwhelmed by The Oxford Gargoyles' a capella performance at the Edinburgh Festival Fringe
Oxford Takes The Fringe
Katie Sayer presents Cherwell's comprehensive guide to the 2017 Edinburgh Festival Fringe
Gangster rap with glimmers of uniqueness
Big Fish Theory is a refreshing spin on modern rap music that shows there is plenty of talent and potential within Vince Staples
Awkward singing and timely rain from Radiohead in Manchester
Thomas Athey finds last minute venue changes are easily overcome by Radiohead
Glastonbury and the Corbyn effect
Julia Alsop argues that Jeremy Corbyn is using the political nature of music to bolster his image as the ‘cool’ politician
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