“Student theatre at its finest”
Miriam Nemmaoui finds 'As You Like It' to be enchanting and captivating
“A piece of theatre that feels incredibly close and genuine”
Nina Crisp finds much to praise in 'I Know You', Sam Moore's postmodernist piece of new writing
‘Plebs’ triumphs despite low expectations
Katie Sayer finds much to love in the recently-renewed adult sitcom
“The play-text should never have been selected for performance”
Will Austin finds 'Five Women Wearing the Same Dress' to be outdated and hackneyed at the Michael Pilch Studio
“A tense and deeply disturbing piece”
Emily Lawford is left shaken by 'Orca', an award-winning drama about sacrifice and redemption
A limp, lifeless insult to every single viewer
Christopher Goring is reduced to a gibbering mess by "Sandy Wexler"
American art at the cutting edge of the 21st century
Altair Brandon-Salmon explores two samples of recent art and their resonances
“Fun, thoroughly amusing and worth watching”
Freya Thorpe praises Ambriel Productions’ musical ensemble
SnapShot: Boat Race afterparty
Matt Roller suffers through the afterparty at Embargo
A day in the life of… a lighting director
I came to Oxford with very little backstage experience. It’s really easy to get into the scene—TAFF (the University network of backstage crew) is...
“If you’d told me a year ago I would never have believed it”
Katie Sayer chats to Callum Cameron, the writer and star of They Built It, No One Came – coming to Oxford following a successful run at the Edinburgh Fringe and a sell-out week in London
An odd mix of Sophocles, Stoppard and Wilde
Katie Sayer gives four stars to Simon Callow's revival of a 1970s classic
Fresh ideas abound in new Netflix original ‘The OA’
Priya Khaira-Hanks is intrigued by this enigmatic new sci-fi series
A day in the life of… an assistant director
Rebekah King describes her role assistant directing Brontë, Polly Teale’s successful 2005 period drama