Emotional electronica
Ellen Peirson-Hagger is touched by the humanity in James Blake’s live
show, as, for once, the musician/producer emerges from behind his laptop
Review: Queer Cabaret
Nina Crisp enjoys a night which showcases a variety of queer talent—and all in support of a good cause
Art review: Unreported Worlds
Ellie Siora is confronted by the familiar in the foreign while questioning what it means to be ‘exotic’ at John’s exhibition
Review: It Felt Empty
Amaris Proctor is impressed by this immersive and thought-provoking explanation of the human effects of sex trafficking—a four star production
Drugs, Childbirth, and Sandwiches: Trojan Women Review
Olivia Cormack enjoys an enthralling production of a darkly comic play about women after war
A night at the clubs: Disco Ma Non Troppo
Jamie Onslow is satisfied by Disco Ma Non Troppo's offering at the Bullingdon
Review: Michael Kiwanuka at the O2 Academy
Ellen Peirson-Hagger is enthralled by the variety of musical influences in Kiwanuka’s endearing set
Review: A Woman Killed with Kindness
Priya Khaira-Hanks is impressed by emotionally nuanced performances which compensate for the lack of sub-plot
Review: The Lesser Bohemians
Benjamin Davies finds emotional intimacy marred by gimicky style
OxFolk review: ‘The Ties that Bind’
Ben Ray looks at Mawkin's latest album, The Ties that Bind
Oh, Albarn, stop playing with me!
Daniel Curtis just can’t wait for the new Gorillaz album
OxFolk Reviews: ‘Cycle’
If I’m being honest, Lady Maisery’s new album ‘Cycle’ came as a surprise to me not because of it’s accomplishment and beauty, but because...
All wound up by a Clockwork Orange
It is always a challenge to adapt a novel’s narrative to the stage. Even more so, when the novel is a dystopia like A...
Review: Anything Goes
This latest production of Anything Goes offers audiences a highly polished sail on the SS American, replete with camp-as-can-be sailors brandishing mops and tap...
