Tag: shakespeare

"Why stage Romeo and Juliet a year into a global pandemic? Godwin’s primary response to the pandemic appears to be the focus on touch in the production: it reminds us of the power of human contact, and the depth of feeling that can only be experienced in person." Katie Kirkpatrick reviews the new National Theatre production of Shakespeare's classic tragedy, Romeo and Juliet.

As someone with a fair few younger siblings I can safely say that I have a pretty wide experience of family-oriented performances. My personal...

Set in the mystical woodlands surrounding Athens, with its cocktail of magic, love triangles, and donkey-human hybrids, Shakespeare’s A Midsummer Night’s Dream has always...

Coriolanus is set in the early stages of the Roman republic, in the midst of plebeian revolts for grain. Caius Marcius (Tom Hiddleston), nicknamed...

Just as Helen possessed the face that launched a thousand ships, Orpheus, the legendary musician and poet, charmed a thousand hearts with his music....

With Shakespeare’s birth and death date happening on the 23rd of April, I’ve been thinking about what a great man he was. So many...

This week, we saw the death of theatre director Terry Hands, acclaimed for his founding of the Everyman in Liverpool among various other theatrical, notably Shakespearean, endeavours....

In Measure for Measure, one of Shakespeare’s problem plays, Vienna is depicted as a city of vice and perdition, such that the situation seems...

Leone Van den Schrieck reviews Collarbone Productions' 'Macbeth' at the BT.

Cosmic Arts' present a deeply human production of 'Hamlet' at the Keble O'Reilly.

Daniya Jawwad explores how certain classic plays prioritise physicality.

Madness, hilarity and revelry ensues in Joyce Branagh's production of Twelfth Night.

The Shakespeare’s Rose Theatre wants its audience to experience Shakespeare as intended – in the bard’s self-designed theatre. But is this immersive theatre experience more pop-art than pop-up? Arabella Vickers reviews.

RJ Productions present an enjoyable rendition of Shakespeare’s last solo-authored play, whose strongest points lie in its subtler elements